Elves & Ethnocentrism

I've written at length (a lot) about decisions I've already made about my world and rule set. We're finally catching up on the work that still lies ahead of me. This one falls under the "Isolated Cultures" element of design principle #1. How do we simulate both the objective truth of the setting, and the subjective biases of individual cultures?

I have a good bit of experience doing one or the other. Objective truth is a fairly standard presence in D&D, particularly in the Gygaxian spirit in which characters know and talk about their alignments, but also generally as in the spirit of players developing a sense of the DM's approach to certain questions. Orcs always being evil is a good example of an objective truth situation, but so is the inverse that orcs aren't always evil--in either case, one of these is defined as true by the DM and players can figure out which one.

Good? Bad? I'm just the lady with the
shadow that cuts people to ribbons.

Subjective truth is more rare, but certainly no one who has run a game of Planescape for any length of time is going to be too uncomfortable with it. Essentially, these are matters where the DM doesn't make a choice about what's true and players develop a sense of what they believe to be rather than what is--most often without actually realizing that it is merely a belief. The Lady of Pain's identity and motives are a good example of this. The DM doesn't know the answer (or shouldn't, anyway), and that can be empowering or frustrating for players, depending on taste.

It's also possible to approach subjective truth from a position of not knowing the answer to a question *yet*. Looking to a video game example, whatever became of the Dwemer in the Elder Scrolls setting is an example. It's likely that the setting's writers don't know what happened exactly--but it's also likely that they will eventually decide on an answer and reveal it. In this case, an objective truth is born from a theory within a subjective module being selected.

My conundrum though, is that I want to achieve both of these at once, not merely transition from one to the other. Specifically, my game is going to begin in a Celt-Irish milieu which, over time and as a result of player exploration, will open other cultural milieus both as things to interact with as visiting explorers *and* as sources from which to draw future characters. To achieve the latter in such a way that the systems which govern character options, magic systems, etc, can be ready-to-go upon being discovered, certain concrete facts have to be there. I have to answer a lot of questions about these places so that I can populate the hexes before the players walk into them.

The initial area in which our Celt-Irish PCs will explore is most closely bordered by a small civilization of elves, which is initially great because elves feature prominently in Celtic mythology and have an important place in setting the experiential tone of the setting in play. Except... the elves that Celts know about are Sidhe--nature spirits of dubious motives, full of mystery and pregnant with implications of what is and isn't true about other planes (Tir nan Og, for example). The Viking milieu on the far side of the elves have their own notions about the Alfr and their mystical realm (Alfheim). And the elves themselves are ideally to be of a Tolkien model--aloof and wise beings who are now retreating from the mortal realm (to the campaign's analogue of the Gray Havens or Valinor).

Are these the same creatures, or are Sidhe, Alfr, and Elves different? I think it's more elegant and interesting if these are three views of the same beings, and that leads to an objective conclusion that they are Elves in the Tolkien sense, and our Celts and Vikings are merely wrong about them. But then what is a beansidhe (banshee)? Do the Leanansidhe steal men's souls and wither them to husks, or are these the fanciful stories of broken-hearted Celts whose Elven lovers abandoned them? Are the Firbolg and Jotnar likewise just different names for the Giants, about whom there is also an objective, concrete answer?

Each of these questions is pretty trivial to answer on its own (frex: the banshee is an undead spirit that the Celt people wrongly consider to be a type of elf, as they do any supernatural being), but it's pretty easy to see that these answers satisfy our pre-game narrative considerations while being imminently difficult to keep mysterious during actual play, provided player agency and a DM who doesn't want to arbitrarily lie about what the characters experience, misleading them to the culturally relevant but factually wrong conclusions. Players stand, in other words, to immediately puncture the milieu, which can hardly be expected to survive the very first encounter with an elf. The Sidhe immediately become a myth, preventing right away many of the sorts of adventures that evoke the experience of the culture.

It's a difficult question, and I've been wrestling with it for awhile. I will likely continue to wrestle with it going forward, but I eventually need to have an answer. Have you ever dealt with this in a way that was satisfying, either as a player or DM? How did it work? How long were you able to maintain the mystery?

There's also the matter of having both polytheism and monotheism present in a world where priests can cast spells, although I have come up with an answer for that one that, if I might pat myself on the back, is worthy of its own future post.

Building the World (pt 2) - The Region

In part 1, we built a fairly low-resolution image of the globe, using icosahedral projection and 150-mile hex scale. We also zoomed in on a region (ie. one triangular face of the 20-sided polygon) to take a look at the 30-mile hex scale. You can see the hand-drawn results here. As you can see, one region takes up six sheets of 8.5x11 hex paper. And it ain't pretty, but that's ok--this map is just for organization, not showing to players. You just need to be able to look at your map with your own eyes and understand clearly what everything means.

The great thing about working in multiple scales is that each has its own functionality. At 150m, you're managing geology: continents, oceans, and analogues to the Rocky Mountains or Himalayas. You're painting with a thick brush. 30m scale still has geographical functionality, of course. This is where you place your major rivers, lakes, foothills, canyons, and so on. You break into the edges of those grand mountain ranges ever-so-slightly to reveal great valleys when you drill down to 6m later. But this is also the scale where you start placing major nations (mine are visible on the region map if you look closely--they're the red-bordered areas). Note that a nation isn't necessarily a formal concept, depending on the era and the cultures involved. A nation in this sense can be merely a sense of shared cultural identity, as in the warring clans of Ireland and Scotland, or the tribes of Mongolia prior to unification. In the case of my map, some of those nations represent no more than a single great dragon, possibly its mate and young, and the range of its demesne and hunting grounds. We'll explore this stage in greater detail in the future, particularly regarding how to populate your world with its intelligent and monster races, but for now it's sufficient to say that I used the tables provided in the excellent World Builder's Guidebook to lay down some basics.

It's always a good idea when building a campaign to rely on random tables here and there, because they help you break up the ruts of your creativity by introducing elements you wouldn't have thought of, which you now can integrate into the parts that you have. Of course, you don't have to obey the tables--they're just there to get the juices flowing. For example, the dragon-ranges-as-nations bit I mentioned above was a fluke of randomness that I immediately fell in love with. We tend to create with an eye toward the logical, but the real world is full of weird, unpredictable bits that are difficult to emulate without some degree of random input in the process.

Using those World Builder Guidebook tables, I came up with two dominant races. I made one of them human and rolled for the other, which is where I got dragons. I further rolled for distinct cultures and got five for humans and five for dragons (which I interpreted as five dragon types. Within each culture or type, I rolled for a defining attribute and a number of independent nations, then for the nations I rolled a number of occupied hexes.

A similar process governed my major races (halfling, orc, goblin, dwarf), minor races (aarakocra, urd kobold, standard kobold, giant, forest gnome, ogre, troll, and elf), marine races (merman, triton, aquatic elf, sahuagin, koalinth), and subterranean races (drow, duergar, myconid). A lot of these will be reskinned or replaced to suit my milieu as it comes into clearer focus, but these are the basic nation-building races of the region.

Speaking of milieu, now's a good time to look at my human cultures and their characteristics, zoom in on one of them, and start building an ethnocentric concept of the surrounding region from their perspective. This will serve to create a timeline, names for monsters and other intelligent races, and religions. I put some options that were floating around in my head out to my pool of players to hear their thoughts on what sounded fun, and we settled on a Celtic-style starting area.

Good thing I've got the Celts Campaign Sourcebook on hand to help me along.